I still remember the first time I heard John Prine. It was the summer of ’73 and I was living in what used to be a gracious old Des Moines neighborhood. The neighborhood was on its way downhill, with beautifully maintained family homes being turned one-by-one into seedy dives filled with raucous students, impoverished laborers, and unemployed ne’re-do-wells. I lived in one of the seedy dives and was working my way through the stages from raucous student to impoverished laborer and unemployed ne’re-do-well.

Impoverished Laborer in Transition to Unemployed Ne’re-do-well
I felt that, in many ways, my life was moving in the same direction as the neighborhood; downhill. I was a fresh college drop-out whose future looked like it would consist of eking out an existence as a ditch digger. (According to my conditioning at the time, ditch digging was the only alternative for someone with no college degree.)
In spite of my gloomy self-prognosis, the summer of ’73 was one of the best and most memorable of my life. I was living with four friends in a great old house and making enough money to get by. And if I didn’t have a future, I didn’t have anyone expecting anything of me, either. I had a job that was… unusual. I was hanging out with people who were… unusual. Life was one long party, and there was no place else I had to be.
The best thing about the house was the second-story sleeping porch. The house was perched on a little rise at the corner of the block. The porch was at the front of the house, so it dominated the street and gave us a commanding view of the intersection. Giant hardwood trees shaded the porch and it was always cool. In an un-airconditioned house during a Midwestern summer, this was important.
When we first walked through the house, my buddy Jim laid claim to the bedroom connected to the porch, thinking he’d scored a coup. What he’d actually done was choose as his bedroom the corridor between the porch and the rest of the house. People tramped through his room and carried on right outside his bedroom window at all hours of the day and night. Jim spent most of the summer sleeping at his girlfriend Kim’s apartment.
Late one night, we were hanging out as usual on the porch when we heard someone bellowing at us from the street, inviting himself up to join us. He was boisterous, bearded, burly, and none of us had ever seen him before. He’d heard us partying in the wee hours and decided to party with us. But he was friendly and a lot of fun. He had us splitting our sides while he told us stories about the psychotropic properties of nutmeg when ingested in large quantities, “You have to eat, like, a quarter pound, man, and you’ll puke your guts out, but you’ll trip your ass off!” And then he asked, “Do you guys like bluegrass?”
Well, being Iowa boys born and bred, we didn’t even know what bluegrass was. So we moved the party over to boisterous, bearded, and burly’s place, two or three houses down, and he introduced us to John Prine.* I’ve been listening to John ever since.
One of the reasons Nan and I knew we were sympatico early-on was because we both loved John Prine. We’ve gone to see him at every opportunity since the late ‘70s. Last Friday night at the packed Touhill Performing Arts Center, we were with 1,623 other people who, judging by their enthusiasm, felt the same way we did about John Prine.
John and two other musicians performed for over two hours. The crowd was absolutely in love with what they were hearing. John’s voice has gotten rougher, but he still has a great stage presence. When John and his sidemen finished Lake Marie and said farewell, all 1,625 of us leapt to our feet and cheered until they came back for an encore. They were joined for the encore by Carrie Rodriguez, the talented young fiddler/guitar player who opened the concert. They performed the duet In Spite of Ourselves, and finished up with an extended version of Paradise.
Dang, it was a sweet show.
- Poppa
* I don’t think John Prine actually plays bluegrass. I’ve been told he refers to what he plays as “shitkicker music.” But the album cover in 1973 was mostly blue and there was straw on it, so we all agreed it must be bluegrass.













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